Welcome to the Weird West

Submissions to Rough Edges are closing in just a couple weeks, so I wanted to share a little somethin’ about a sort of western story I’m not seeing in the slush just yet. If you have a Weird West romance I’d love to see it!

~ Cori

Welcome to the Weird West

A Guest Post by Brantwijn Serrah

Artwork for the cover of Jonah Hex vol. 2, 1 (Jan, 2006). Art by Luke Ross
Artwork for the cover of Jonah Hex vol. 2, 1 (Jan, 2006). Art by Luke Ross

There’s always something so ruggedly satisfying about stories of the Wild West. Tombstone, Riders of the Purple Sage, Lonesome Dove, True Grit, just about anything by Louis L’amour (hot damn, that man wrote a lot). The Western genre has enjoyed something of a resurgence in the last decade or so, with the popularity of books like Stephen King’s Dark Tower series, televisions shows like Deadwood and Firefly, and movies like Appaloosa, 3:10 to Yuma, and Cowboys & Aliens.

There’s also a sub-genre of Western fiction, a little lesser known, but not as unknown as you might think. Chances are you’ve run across this sub-genre without realizing it. It’s called Weird West, and if you can believe it, it’s made cowboy fiction even more colorful than before.

Weird West fiction combines traditional “spaghetti westerns” (those rugged, macho, Clint Eastwood style westerns) with elements of other genres like steampunk, splatterpunk, sci-fi, horror, and fantasy.

I’ve even named a few of these cross-genre titles already. The Dark Tower, Firefly, and Cowboys & Aliens are all—you guessed it—children of the Weird, Weird West.

So are Bravestarr (a sci-fi western cartoon from my childhood), Jonah Hex (A DC Comics property), certain episodes of Supernatural, and even Eastwood’s High Plains Drifter.

But probably my favorite Weird West tales are the ones combining the rough, frontier flavor of traditional westerns with the dark mystery of paranormal horror. These stories bring in elements of ghost stories and cryptozoology; Native American mythologies and monsters like skin-walkers and wendigoes; sometimes even European legends like vampires, werewolves and witchcraft. They take us to the mesas of New Mexico and Arizona and warn us to keep an eye out for rattlesnakes, coyotes, and Lovecraftian terrors. They send us after outlaw gangs and ghost riders in the sky. The best Weird Westerns seamlessly weave these bizarre beings and strange happenings into the “everyday”, for their plot and cast.

As Frank Fronash points out in this article, a “true” Weird West tale does more than simply transplant a supernatural plot into a western setting. In the Weird West, “weird” is the reality. The eerie elements of life are, yes, eerie…but they’re bigger than one moment in time. It’s not the story that’s weird…it’s the world around the story. And for the people in the story, that’s life. That is their frontier.

In The Dark Tower series, the context of Roland the gunslinger’s world is never clearly explained, but is strongly hinted to be a post-apocalyptic reality slowly coming to the end of its existence. Items which may be familiar to our contemporary society—Chevron gas tankers, World War II Fighter Planes, GPS trackers, and various other machinery—are ancient, forgotten relics to Roland’s people, but horse-carts, cattle herding, six-shooters, and lively saloons are common. Distance, geography, and even the concept of time are wearing out and becoming unreliable, and more and more of the planet is returning to a wild, unpredictable and sparsely populated frontier. To outsiders, this is a drastic contrast to ‘our’ world, but it is so normal to Roland and his own people, they even have an idiom for it. “The world has moved on,” they say, and to them the phrase encompasses everything strange and unfamiliar. To them, this is life, and always has been.

In certain works such as Cowboys & Aliens, Ginger Snaps Back, From Dusk Until Dawn, and even The Lone Ranger—all of which are classified as Weird West by Wikipedia—the supernatural spin is an oddity to the characters, an “unknown” to all but maybe one wise character attuned to the greater picture of things. This, by Fronash’s description, is a dilution of true Weird West. These stories may be set against a western backdrop, but the “weird” element is simply a nugget of paranormal/fantasy genre dropped in. Stories like this could take place in many other settings and not be significantly altered in character. Sure, they’re weird…but they’re not uniquely tales of the West.

I agree with Fronash that the truest, eeriest, and most delicious examples of this sub-genre come from a sense of the Weird being inextricably linked with the “heart” of the West: those wide, uncharted wildernesses; the daunting and yet thrilling sense of the unknown; the gritty rough-hewn heroes carved from survival and sacrifice; and a dusty but determined sense of chivalry.

I don’t mind tipping my hat to some of the less-intricate Weird Westerns, though. Every Weird West tale begins somewhere and every Weird West fan has to start somewhere. The popularity of Cowboys & Aliens among audiences demonstrates the capability of these adventures to draw new interest in the genre.

But always remember the real flavor of Weird West fiction goes deeper, and spreads farther, like a current of strange and powerful magic running under the land itself.

Brantwijn SerrahBrantwijn Serrah: When she isn’t visiting the worlds of immortals, demons, dragons and goblins, Brantwijn fills her time with artistic endeavors: sketching, painting, customizing My Little Ponies and sewing plushies for friends. She can’t handle coffee unless there’s enough cream and sugar to make it a milkshake, but try and sweeten her tea and she will never forgive you. She moonlights as a futon for four lazy cats, loves tabletop role-play games, and can spend hours watching Futurama, Claymore or Buffy the Vampire Slayer while she writes or draws.

Brantwijn has published two full-length erotic novels: Lotus Petals and Goblin Fires. In addition to these, Brantwijn has had several other stories published by Breathless Press, including contributions to the 2013 Crimson Anthology and 2014 Ravaged Anthology. She’s also had a short story published in the Cleiss Press Big Book of Orgasm and the anthology Coming Together Through The Storm. She has author pages on GoodReads and Amazon, and loves to see reader comments on her work. Her short stories and audio readings occasionally pop up at Foreplay and Fangs, her blog at http://brantwijn.blogspot.com.

This blog was originally posted at Red Moon Romance.

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